Far more than a mere object of mechanical excellence indicating the time, a timepiece by Vacheron Constantin is by essence destined to be a full-fledged work of art capable of revealing all the beauty of unique expertise enriched by over 260 years of history. Ever since its founding in 1755, the Manufacture has consistently enhanced the beauty of its creations through artistic crafts exercised by skilled artisans. Hand engraving is one such technique. A demanding art calling for exceptional patience and dexterity, it was used right from the start as a means of achieving ethereal lightness. The first watch created by Jean-Marc Vacheron in 1755 already featured an openworked and engraved balance-cock. The quest for transparency then continued, with increasingly finely fashioned mechanical parts, leading to the creation in 1924 of the first entirely openworked calibre beating at the heart of a pocket watch. A past master in the practice of this extremely intricate discipline, Vacheron Constantin has given free rein to its creativity, progressively openworking both simple and complicated calibres, associating them according to its inspiration with other artistic crafts, and interpreting these miniature marvels both on pocket-watches and wristwatches from the 1960s onwards.
Not content with being one of the rare manufacturers capable of openworking such complex calibres as minute repeaters, perpetual calendars and tourbillons, Vacheron Constantin once again pushes the boundaries of its art by reinventing both the technique itself and the aesthetic codes governing it. The engraving thus becomes a sculpture, as the straight lines morph into interlacing curves, while the watch parts become architectural works creating mesmerising light effects.